Smit Marks – A Practical, Quick, And Simple Way To Identify Sheep

When they are half a field away, ewes know their lambs and lambs know their mothers by their bleats. But if you are a farmer rather than a sheep, then you need another practical, quick, and simple way to identify your sheep.

When sheep are fenced in a field, then the only sheep that need quick identification are strays that manage to escape the field. That happens a lot with some breeds, whose only purpose in life is said to be a desire to push themselves through any opening that presents itself.

Of course, it’s a different story on open, unfenced ground where flocks can mix freely – such as up on the hills of Northern England. Up there it’s the whole flock that can become mixed in with other flocks.

In former times, knowing which sheep belonged to who was important also on Common land. Common land was land that was owned by the village as a community. The village made communal decisions about planting and grazing, including when sheep were let out to graze. And when that happened, sheep from different flocks mixed freely.

Then the Enclosure Acts of the 18th and 19th centuries fenced off the Commons and passed the ownership from the local community to one farmer. Some called it highway robbery; some called it the march of progress.

But whether for strays or whole flocks, how was a farmer to know which were his sheep? From close up he would know them by their lug marks – distinctive cuts to the lug of their ears. But from far away, the farmer or the shepherd needed a different method.

Smit Marks

If you have seen sheep in the lowland fields and on the hills in the UK you may have noticed the paint marks on their fleeces. They are smit marks and farmers have been using them for hundreds of years to identify who sheep belong to.

A daub of paint – perhaps two marks of red or one of black – nearer the haunch or the shoulder. From these a farmer would know which were his sheep and which belonged to his neighbour.

The paint was a mixture of a pigment to give the colour and grease or whale oil to make the mixture stick.

The pigment might be powdered iron ore or graphite or powdered stone. Farmers used pigments rather than natural dyes because they would retain their colour over the year and not be bleached away by the sun.

Of course, once a sheep was sheered the process had to be repeated. This shorn sheep could be asking what happened to its smit marks…

A Guide To Smit Marks

Smit marks were complex. There were crosses and dots and stripes of colour on the back, the neck, the haunches and on the near side and the far side of the sheep.

And which was the ‘far’ side? Well, if you imagine a sheep standing sideways to you with the head to your right, that is the far side.

With all that complexity it is no wonder that in 1817 Joseph Walker published the first manual of smit marks. He published the manual for his home area of Martindale and the surrounding valleys in the Lake District in the north-west of England.

His guide was so popular – so popular that over the next 80 years or so other farmers published guides to many other parts of the country.

The need for a guide is not surprising bearing in mind the number of sheep. Even today with much reduced numbers there are still around twenty million sheep in the UK.

The Present Day

In the 21st century, sheep are required by law to have digital tags implanted under the skin. Their main use is to identify a sheep when disease strikes and action needs to be taken quickly.

Flocks are transported long distances for mating and to sell at auction. And the Lake District is just a few hours away by wagon from the south coast nowadays.

The result is that disease can spread rapidly all over the country. This happened in the terrible foot-and-mouth disease epidemic of 2001 in the UK.

Foot-and-mouth disease affects pigs, cattle, deer, and other animals, and in the 2001 epidemic around ten million sheep and cattle were slaughtered and their carcasses burnt in an effort to halt the disease.

But even with implanted tags, farmers today use traditional smit marks to know at a distance which sheep belong to them and which to their neighbours.

Chemical Dyes

It’s mostly chemical dyes that are used nowadays, and as you can see from the photo at the beginning of this article, the chemical dye on these sheep is a nice shade of green.

But what about this Swaledale ewe with a large smit mark in a lovely shade of ochre. The mark could easily be iron ore with its reddish colour. Perhaps it is.

So next time you are out in the countryside, remember the smit marks that trace their history back hundreds of years to a different England, a different UK.

Spend The Day In Overlooked Lucca

Lucca is rather run down in a ‘faded beauty’ kind of way. It has Squares and narrow streets and a massive city wall twenty or so feet high, built in brick that encircles the town.

The wall is breached by footpaths, and that is the route we took walking into town from the station. It was a special feeling walking through the tunnel in the wall – like entering a besieged town.

You know how one has to listen to the choice of words and the intonation when someone local recommends a place to visit.

We often have discussions about exactly what we did hear with these recommendations. Did we both hear the moment of someone holding back when we asked about visiting such and such a place?

Did we both hear an intonation that reveals that while Lucca is nice, it is not that nice?

And then there are all the other competing places to visit on a day trip from Florence. Are some of these better choices?

The town is nice and homely. People are friendly. We stood in the early evening looking at the fair in the Piazza Napoleone, drinking in the atmosphere and the pace of life.

Go there if you get the chance.

One Quick Day Sightseeing in Siena

Siena is an Italian hilltop town lying to the south of Florence in Tuscany

Being a hilltop town it is of course hilly. And in the center is the beautiful Piazza del Campo. It is a huge, perspective-bending Piazza built on a slope leading down to the Torre del Mangia. Walking into the fan-shaped Piazza truly is confusing to the senses. How big the space is: Walking down into the Piazza is dizzying.

There’s a horse race very year, when horses race around the Piazza. Look in the cafes and shops and you will see photographs of previous horse races displayed on the walls.

One photo we liked was from the 1960s, with crowds behind barracades erected in the Piazza. The horses were galloping past at a furious pace.

It’s fitting too, seeing that the Piazza del Campo is on the site of a Roman forum.

The Duomo In Siena

Up the hill from the Piazza is the Duomo. Another white marble edifice like in Florence. You might think it would be more commanding given its elevated position. In fact it is less impressive. Maybe it is a case of ‘once you have seen one white marble church you have seen them all’ or perhaps it is because it is smaller.

Or perhaps it is the design. The campanile (bell tower) is integrated into the building, unlike in Florence where the campanile stands on its own as another piece of marble magnificence.

Or it could be that the building speaks of the magnificence that did not happen. The guide books say that the intention was to expand the Duomo so that it would be bigger than the Vatican in Rome. But in 1348, less than ten years after work began, the Black Death killed half the people of Siena and work on the cathedral stopped.

The real difference here compared to Florence is on the inside of the building. The contrasting stone and the interwoven arches are wonderful.

Here’s a tip. You need a ticket to go into the cathedral. Perhaps you are the kind of person who objects to paying to go inside a church. Perhaps you don’t want to traipse around to the ticket office that is in a separate building towards the rear of the church.

Well the walk is not that far and there are two kinds of tickets: free and not-free. To go around the ground floor of the Duomo you only need a free ticket. To see the library and to go down into the lower floor, you need to pay for a ticket.

Why, you might wonder, do they require even free visitors to have a free ticket? We wondered the same. We even thought for a moment of asking. We didn’t ask but we decided between ourselves that the tickets acted as a kind of clicker to monitor who was in the building. Come closing time they would know how many people they needed to usher out.